Produced, Performed, & Engineered by Jim Combs
Base track recorded live Apr 10, 2010
Post-production & overdubs at Common Sound Studio Dec 2010 – Jan 2011
Cover artwork by Jim Combs
Airplay
Meditation, Modulation, Manipulation
WPNE At The Edge show listed “Meditation Modulation Manipulation ” at #14 for November 2013.
KSBR 88.5FM Morning Breeze show in Mission Viejo, CA played “Meditation Modulation Manipulation” on March 24, 2012.
HFM Radio 102.3FM Night Hawke show in Market Harborough, South Leicestershire and North Northamptonshire, UK played “Meditation Modulation Manipulation” on January 28/29, 2012.
#2 Song and #43 Album on the Zone Music Reporter Playlist Spin Count for July 2011.
#14 Song and #54 Album on the Zone Music Reporter Playlist Spin Count for June 2011.
#5 Song and #71 Album on the Zone Music Reporter Playlist Spin Count for May 2011.
WWSP 90FM (space/electronic format)- Ambient Aether show in Stevens Point, WI played Meditation Modulation Manipulation on August 21, 2011, July 31, 2011, July 10, 2011, July 3, 2011, June 26, 2011, June 19, 2011, May 29, 2011, May 15, 2011 and April 24, 2011. #3 for June 2011, #7 for for May 2011, #15 for August 2011, and #17 for September 2011.
WDIY 88.1 FM (space/electronic format)- Galactic Travels show played Meditation Modulation Manipulation on April 14, 2011, March 24, 2011, and lists the album in their Top 20 for April 2011 and March 2011.
Nophi Records- Meditation Modulation Manipulation is part of the Nophi podcast for March 31, 2011.
StillStream.com (ambient format)- Zen Caffeine show played Meditation Modulation Manipulation on February 5, 2011.
Press
rik maclean, Ping Things, February 1, 2011
The latest release from ping things comes from Jim Combs of Sensitive Chaos. “Meditation Modulation Manipulation” is a long form dark ambient drone piece where the passing of time is measured in subtle nuance and minute change. An impressive departure in form from other Sensitive Chaos work, “Meditation Modulation Manipulation” shows an artist expanding his horizons by immersing himself in a different musical environment than he is normally accustomed to, applying new ideals and forms to new styles and spaces.